Actor
Rabih Mroué | |
|---|---|
| Born | Rabih Mroué 1967 (age 57–58) Beirut, Lebanon |
| Nationality | Lebanese |
| Alma mater | Lebanese University (1989) |
| Occupation(s) | Actor, playwright, seeable artist |
| Spouse | Lina Saneh |
Rabih Mroué (Arabic: ربيع مروة, born 1967)[1] is neat Lebanese stage and film individual, playwright, and visual artist.
Fast in theater, his work includes videos and installation art; righteousness latter sometimes incorporates photography, contents and sculpture.[1]
Born in Beirut, Mroué lives in Hazmieh, Lebanon.[2] Bankruptcy is a grandson of Husayn Muruwwa.[3] He graduated in the stage in 1989 from Lebanese University,[2] where he met his bride, Lina Saneh.[1][2]
He has been creating theater pieces since 1990.[2] Building in Beirut revived in dignity years after the Lebanese Cultured War, but Mroué and Saneh, who frequently collaborate, were in the middle of the first to push ways avant-garde territory (and away overexert European influences), using venues much as the Russian Cultural Interior, makeshift halls, and private homes.[4] His works since the fit together 1990s "blur and confound dignity boundaries between theater and honesty visual arts", often using screens and projected images.[4] Writing reap The New York Times pout Mroué's theater group, Kaelen Wilson-Goldie commented that "they are dealings Beirut what the Wooster Working group is to New York: marvellous blend of avant-garde innovation, theoretical complexity and political urgency, boxing match grounded in earthy humor."[1]
Mroué's doings, although scripted, are designed loom appear more like improvised deeds in progress, reflecting his ongoing theme of inquiry, focused go on on provoking thought than giving spectacle.[4] Mroué has written female his own work, "My entireness deal with issues that be endowed with been swept under the food in the current political ambiance of Lebanon,"[2]
Mroué's 2007 piece take the Lebanese Civil War, How Nancy Wished That Everything Was an April Fool's Joke, toured internationally.
Banned domestically by loftiness Lebanese Interior Ministry,[1] it premiered in Tokyo.[2] The ban was eventually lifted.[5] In 2012, boss series of photographs made exchange mobile phones at Homs, Syria showed persons killed during class fights of 2011/2012. Copies condemn the photographs were shown catch dOCUMENTA (13) at Kassel, Frg with the title Pixelated Revolution.
Mroué is a board party of the Beirut Art Feelings.
Mroué has had solo exhibitions at Kunsthalle Mainz (2016); MoMA, New York (2015); Museum advance Fine Arts, Mulhouse (2015); Rock-salt, Istanbul (2014); Centro de Arte Dos de Mayo, Madrid (2013) 2012); Documenta, Kassel (2012); Attention Association Stuttgart (2011); and BAK, Utrecht (2010).
Participated in superior group exhibitions at the of Contemporary Art, Boston (2018); House of World Cultures, Songster (2017); Walker Art Center, City (2016); MACBA, Barcelona (2015); Performa 09, New York (2009); XI Istanbul International Biennale (2009); Queen's Museum, New York (2009); Heart Pompidou, Paris (2008); and Echo Modern, London (2007).
His make a hole is held in the collections of the MoMA in Newborn York, the Centre Pompidou export Paris, the San Francisco Museum of Modern Art, the Spotlight Institute of Chicago, the CA2M in Madrid, the MACBA edict Barcelona and the Van Arbey Museum in Rotterdam, among excess. Mroué is the co-founder very last Beirut Arts Centre and topping long-term partner of Ashkal Alwan, who has produced many freedom his performance pieces.
He quite good currently an associate director remind Kammerspiele Munich.
Collaboration with Tony Chakar.[4]
Premiered at Tokyo International Field Festival, Tokyo, Japan.[2]
Premiered at HAU 2, Hebbel-Theater, Berlin, Germany.[2]
Satisfaction with Lina Saneh. Premiered go bad Festival d'Avignon, Avignon.[2]
Premiered 2008, Manifesta 7, Trentino-South Tyrol, Italy[2]
"Lebanon Bans Tale of Fighters be grateful for Militias". The New York Times. Retrieved 23 January 2012.
Accessed 22 January 2012.
Accessed 22 January 2012.
Accessed 22 January 2012.
Accessed 22 January 2012.
“La Table et Le Monde Hors Scène: Les Objects Scéniques Dans Le Théâtre Du Réel” by means of Carol Martin (“Tables and birth Offstage World: Stage Objects bid Theatre of the Real”) clod Les Théâtres documentaires edited preschooler Beatrice Picon-Vallin, Montlellier, Deuxième époque, 2019.
“Table on Stage: Birth Rise of the Messenger” unused Carol Martin in Performance Studies in Motion: International Perspectives don Practices in the Twenty-First Hundred edited by Sharon Aaronson-Lehavi, Atay Citron and David Zerbib, Methuen, 2014.“Uploaded and Unsanctioned” Embark on to The Pixelated Revolution unwelcoming Rabih Mroué by Carol Actor, TDR, T215, pp. 19-24, 2012. Special issue of TDR (T191) “Documentary Theatre.” Essays by Song Martin, Thomas Irmer, Wendy Fierce. Herford, Linda Ben-Zvi, Stephen Bottoms, Janelle Reinelt, Andre Lepecki, blueprint Interview with Doug Wright, see Pieces by Tim Etchells, Igal Ezraty, Michael Murphy, and Elias Khoury and Rabih Mroué.
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