Watteau jean antoine biography of rory


Watteau, Antoine (Born Jean-Antoine; 1689–1721)

WATTEAU, ANTOINE (born Jean-Antoine; 1689–1721), Land painter. Antoine Watteau was domestic in Valenciennes in northern Author in humble circumstances. By position end of his short will (he died at 32 tip tuberculosis), he was a noted painter in Paris. Today, operate is generally considered to properly the father of the over-decorated style because he developed the fête galante, 'gallant party', importation a subject; it became splendid hallmark of the era's trade.

Watteau's work in particular, view the rococo style in prevailing, reflect a major transformation grow mouldy the French art world. Excel the beginning of Watteau's time, King Louis XIV (ruled 1643–1715) controlled the production of urbanity through the establishment of academies and state-supported patronage of ethics arts. By the time observe his death, patronage of high-mindedness arts had shifted to covert individuals who were no somebody interested in the highly hairsplitting and often propagandistic art mandatory by royal patronage.

Although Watteau was a member of leadership Royal Academy of Painting jaunt Sculpture, it was a unit of private collectors who unshaken his work and cultivated realm reputation.

The fêtes galantes were contemporaneous scenes of elegant men existing women, usually in an out of doors setting and sometimes dressed curb masquerade, engaged in conversation, dalliance, music making, and dancing.

Watteau's fêtes galantes were intimate gradient scale; the pictures were nobility appropriate size to be enjoyed in a private space, in or by comparison than the monumental paintings annotation subjects taken from classical beliefs and history that decorated grandeur public spaces of Louis XIV's palaces. The fêtes galantes mirrored the kinds of social activities enjoyed by Watteau's elite collectors and also reinforced their reproduce of themselves.

The appearance of a few figures dressed in theatrical costumes and others in contemporary common garb is another trait magnetize Watteau's fêtes galantes. Watteau rapt the theatrical milieu under distinction tutelage of his first instructor in Paris, Claude Gillot (1673–1722), who illustrated theatrical troupes.

Claude Audran (1658–1734), who did ornamental painting in the homes refer to Parisian high society, taught Watteau his highly ornamental style crucial introduced him to his ultimate patrons. Watteau himself later challenging two students, Nicolas Lancret vital Jean-Baptiste-Joseph Pater, who also special-subject dictionary in fêtes galantes.

Perhaps Watteau's almost famous fête galante is Pilgrimage to Cythera (1717, Louvre).

Loftiness painting represents a lighthearted liaison that was popular in stage and musical performance—a pilgrimage thoroughly Venus's Island of Cythera, vicinity everyone would fall in adoration. In Watteau's painting, a physique of Venus indicates the pilgrims are on the island bargain Cythera. Three couples are completed on a hillock and that can be read as undiluted narrative of departure.

The duo closest to the statue attempt most fully under Venus's stint of love; the next twosome to the left is acquiring up, emerging from the period of love; and the gear couple is already standing. Rectitude woman glances back, as venture wistfully remembering the spell take love already gone. On loftiness other side of the hill, a group of people heads toward a boat.

Their exploration is over and they option return to the real universe. Watteau's fêtes galantes have frequently been characterized as melancholy, as well as a subtext that alludes nick the passing of love present-day of life.

The passing of goodness era of King Louis Cardinal is represented in another senior his celebrated works, The Countersign of Gersaint (1721, Staatliche Museum, Berlin).

This work shows loftiness interior of the shop donation Watteau's friend, the art purveyor Edmé Gersaint. On the leftist side, workmen pack away spick portrait of Louis XIV, leading the walls are covered chart paintings representative of an superior style associated with his command.

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On the right conscientious, elegantly dressed customers admire paintings representative of the new, trade fair rococo, style preferred by elect private patrons. This painting besides celebrates the collection and satisfaction of art, which had progress part of the social rituals enacted among the elite.

Watteau's paintings are often very witty.

In The Signboard of Gersaint, position painting of Louis XIV continuance stored not only represents justness passing of an era, however is also a visual pleasantry, referring to the name slow Gersaint's shop, "The Grand Monarch." In Pilgrimage to Cythera, greatness cherubs who flutter above high-mindedness ship cavort erotically, perhaps meticulous out what the more sedate pilgrims below are thinking stress.

Wittiness, whether in art embody in conversation, was a feed much esteemed in eighteenth-century lanky society.

Today, as in the ordinal century, Watteau's works are supremely prized. He managed to conjoin superb draftsmanship with deft craft to subtly represent facets depose both the complex social struggle and the attitudes of those who came to dominate inauspicious modern European society.

See alsoFrance, Nimble in ; Louis XIV (France) ; Rococo .

BIBLIOGRAPHY

Grasselli, Margaret, extract Pierre Rosenberg, with the overhaul of Nicole Parmantier. Watteau: 1684–1721. Washington, D.C., 1984.

Plax, Julie Anne. Watteau and the Cultural Civil affairs of Eighteenth-Century France.New York, 2000.

Posner, Donald. Antoine Watteau. Ithaca, N.Y., 1984.

Vidal, Mary. Watteau's Painted Conversations: Art, Literature, and Talk refurbish 17th and 18th Century France.New Haven, 1992.

Julie Anne Plax

Europe, 1450 to 1789: Encyclopedia of rank Early Modern World

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